Christina Fuhrmann received her BA in Music from Marlboro College in Vermont and her PhD in Musicology from Washington University in St. Louis. She teaches the Music History sequence, basic musicianship, and several music appreciation core courses, including Love Songs, Music and Drama Across Cultures, and Music in World Cultures. Her research focuses on theater music and imported opera in early nineteenth-century London. She has published articles in: Nineteenth-Century Music Review; Gender, Sexuality, and Early Music; Eugene Scribe und das europaische Musiktheater; and a volume on Romanticism and Opera for the Praxis: Romantic Circles series. She has also delivered lectures at Washington University, Case Western Reserve University, and the Oberlin College Conservatory of Music, and presented papers at numerous national and international conferences. Her critical edition of Henry Bishop's adaptation of The Marriage of Figaro was published by A-R Editions in 2012. Currently, she is at work on a book for Cambridge University Press titled "Foreign Opera at the London PLayhouses: from Mozart to Bellini."