Ashland Visiting Writers, Past and Present |
| The Ashland MFA boasts one of the best visiting writer programs in the country, with six writers of national stature coming to campus during each two-week, intensive summer session. |
Upcoming Visiting Writers
Jennifer Atkinson
Marilyn Chin
William Kittredge
Debra Marquart
Eric Pankey
Floyd Skloot
Kevin Young
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Previous Visiting Writers
Kim Barnes
Jim Daniels
J.D. Dolan
Alice Fulton
William Heyen
Phillip Lopate |
| Jennifer Atkinson |

Jennifer Atkinson, poet, is the author of three collections of poetry, The Dogwood Tree, which won the University of Alabama Poetry Prize, The Drowned City, winner of the Samuel French Morse Prize, and most recently, Drift Ice. Her poetry and nonfiction can be seen in many leading journals including The New Republic, The Iowa Review, and Three Penny Review, and has been honored with Pushcart Prizes. She taught in Nepal and Japan and at the University of Iowa and Washington University before joining the faculty of George Mason University, where she teaches in the Master of Fine Arts Program and is an Associate Professor in English.
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| Kim Barnes |

Kim Barnes, creative nonfiction, is the author of two memoirs, Hungry for the World and In the Wilderness: Coming of Age in Unknown Country, which was a finalist for the 1997 Pulitzer Prize. In the Wilderness was also honored with a Pacific Northwest Booksellers Award and was a finalist for the PEN/Martha Albrand Award. In 1995, Barnes received the PEN/Jerard Fund Award for an emerging woman writer of nonfiction. Together, she and Mary Clearman Blew edited Circle of Women: An Anthology of Contemporary Western Women Writers. Barnes' personal essay, "The Ashes of August," was selected for inclusion in the Pushcart Prize Anthology. Her first novel Finding Caruso was published by Marian Wood Books/Putnam in 2003. Her Kiss Tomorrow Hello: Notes from the Midlife Underground by Twenty-Five Women over Forty, co-edited with Claire Davis, was published by Doubleday in 2006. Barnes teaches creative writing at the University of Idaho and lives with her husband Robert Wrigley and their children on Moscow Mountain. She is currently serving as Idaho Writer-in-Residence.
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| Marilyn Chin |
Marilyn Chin, poetry, was born in Hong Kong and raised in Portland, Oregon. Her books have become Asian American classics and are taught in classrooms internationally. She is the author of Rhapsody in Plain Yellow (W.W. Norton & Co., 2002), The Phoenix Gone, The Terrace Empty (1994), and Dwarf Bamboo (1987). Chin has won numerous awards for her poetry, including ones from the Radcliffe Institute at Harvard, the Rockefeller Foundation, and the National Endowment for the Arts. She has received a Stegner Fellowship, the PEN/Josephine Miles Award, four Pushcart Prizes, the Paterson Prize, a Fulbright Fellowship to Taiwan, as well as residencies at Yaddo, the MacDowell Colony, the Lannan Residency, and the Djerassi Foundation. Her work has been featured in a variety of anthologies, including The Norton Anthology of Modern and Contemporary Poetry, The Norton Introduction to Poetry, The Oxford Anthology of Modern American Poetry, Unsettling America, The Open Boat, and The Best American Poetry of 1996. She was featured in Bill Moyers’ PBS series The Language of Life. She has read and taught workshops all over the world. Recently, she taught at the Iowa Writer’s Workshop and was guest poet at universities in Singapore, Hong Kong, Manchester, Sydney and Berlin and elsewhere. In addition to writing poetry, she has translated poems by the modern Chinese poet Ai Qing and co-translated poems by the Japanese poet Gozo Yoshimasu. Presently, she is writing a book of poetic tales. She co-directs the MFA program at San Diego State University.
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| Jim Daniels |
Jim Daniels, poetry, was born in Detroit and currently lives in Pittsburgh, where he is the Baker Professor of English at Carnegie Mellon University and directs the Creative Writing Program. He is the author of nine books of poems, including Show and Tell: New and Selected Poems, a finalist for the Paterson Poetry Prize, and Street, a book combining his poems with the photographs of Charlee Brodsky. In addition, he is the author of two collections of short stories, No Pets and Detroit Tales. He has two books forthcoming in 2007, Mr. Pleasant, a collection of short stories from Michigan State University Press, and American/Dream, poems from Eastern Washington University Press. He has edited or co-edited four anthologies of poetry, including Letters to America: Contemporary American Poetry on Race, and American Poetry: The Next Generation. He wrote the screenplays for “Dumpster” (2006) and "No Pets” (1995), two independent feature films, both of which appeared in film festivals in the U.S. and abroad. He has also received two fellowships from the National Endowment for the Arts and two from the Pennsylvania Council on the Arts. His poems have appeared in the Pushcart Prize and Best American Poetry anthologies.
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| J.D. Dolan |
J.D. Dolan, creative nonfiction, has published work in Esquire, Details, The Nation, New Stories from the South, and Best American Sports Writing. His first book, Phoenix: A Brother's Life (Knopf, 2000), was named one of the best nonfiction books of the year by the Los Angeles Times, and one of the top ten memoirs of the year by the Detroit Free Press. He was recently awarded a fellowship in literature from the National Endowment for the Arts. Dolan is an associate professor at Western Michigan University, where he teaches in the creative writing program.
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| Alice Fulton |
Alice Fulton's most recent book of poems is Cascade Experiment, published by W.W. Norton. Her book Felt (W.W. Norton), was awarded the 2002 Rebekah Johnson Bobbitt National Prize for Poetry from the Library of Congress. This biennial poetry prize is given on behalf of the nation in recognition of the most distinguished book of poetry
written by an American and published during the preceding two years. Felt also was selected by the Los Angeles Times as a Best Book and as a finalist for the Los Angeles Times Book Award. Fulton's many honors include fellowships from the John D. and Catherine T. MacArthur Foundation, The Ingram Merrill Foundation, The Guggenheim Foundation, The National Endowment for the Arts, and The Michigan Society of
Fellows. Her work has been included in six editions of The Best American Poetry series, the Pushcart Prize series, and has been adapted several times for musical and theatrical productions. Alice Fulton has been the Holloway Poet at University of California, Berkeley, and a Visiting Professor at University of California, Los
Angeles; Ohio State University, Columbus; the University of North Carolina, Wilmington; and Vermont College. She is currently the Ann S. Bowers Professor of English at Cornell University.
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| William Heyen |
William Heyen, poetry, was born in Brooklyn, New York, in 1940. He is Professor of English/Poet in Residence Emeritus at SUNY Brockport, his undergraduate alma mater. His M.A. and Ph.D. degrees are from Ohio University. A former Senior Fulbright Lecturer in American Literature in Germany, he has won NEA, Guggenheim, American Academy & Institute of Arts & Letters, and other fellowships and awards. He is the editor of American Poets in 1976, The Generation of 2000: Contemporary American Poets, and September 11, 2001: American Writers Respond. Heyen's work has appeared in over 300 periodicals including Poetry, American Poetry Review, New Yorker, Southern Review, Kenyon Review, Ontario Review, and in 200 anthologies. His books include Pterodactyl Rose: Poems of Ecology, The Host: Selected Poems, Erika: Poems of the Holocaust, and Ribbons: The Gulf War from Time Being Books; Pig Notes & Dumb Music: Prose on Poetry and Crazy Horse in Stillness, winner of 1997's Small Press Book Award for Poetry, from BOA; Shoah Train: Poems, a Finalist for the 2004 National Book Award, from Etruscan Press; and The Rope: Poems, The Hummingbird Corporation: Stories, and Home: Autobiographies, Etc. from MAMMOTH Books. Carnegie-Mellon University Press has recently released his first book, Depth of Field (Louisiana State University Press, 1970) in its Classic Contemporaries Series.
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| William Kittredge |
| William Kittredge, creative nonfiction, grew up on a cattle ranch in southeastern Oregon and farmed there until he was 33, after which he studied at the University of Iowa. He taught Creative Writing at the University of Montana for 29 years and retired as Regents Professor of English and Creative Writing. Kittredge has held a Stegner Fellowship at Stanford, received two writing fellowships from the National Endowment for the Arts, and two Pacific Northwest Bookseller's Awards for Excellence. He was winner of the Montana Governor's Award for the Arts, co-winner of the Montana Committee for the Humanities Award for Humanist of the Year, and winner of the PEN West Award for non-fiction book of the year. He now lives in Missoula, Montana.
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| Phillip Lopate |
Phillip Lopate, creative nonfiction, was born in Brooklyn, New York, in 1943. He received a B.A. from Columbia in 1964, and a doctorate from the Union Graduate School in 1979. He has written three personal essay collections: Bachelorhood (Little, Brown, 1981), Against Joie de Vivre (Poseidon-Simon & Schuster, 1989), and Portrait of My Body (Doubleday-Anchor, 1996); two novels, Confessions of Summer (Doubleday, 1979) and The Rug Merchant (Viking, 1987); two poetry collections, The Eyes Don't Always Want to Stay Open (Sun Press, 1972) and The Daily Round (Sun Press, 1976); a memoir of his teaching experiences, Being With Children (Doubleday, 1975); a collection of his movie criticism, Totally Tenderly Tragically (Doubleday-Anchor); an urbanist meditation, Waterfront: A Journey Around Manhattan (Crown, 2004); and a biographical monograph, Rudy Burckhardt: Photographer and Filmmaker (Harry N. Abrams, 2004.) In addition, there is a Phillip Lopate reader, Getting Personal: Selected Writings (Basic Books, 2003).
Lopate has been awarded a John Simon Guggenheim Fellowship, a New York Public Library Center for Scholars and Writers Fellowship, two National Endowment for the Arts grants, and two New York Foundation for the Arts grants. He received a Christopher medal for Being With Children, a Texas Institute of Letters award in the best non-fiction book of the year category for Bachelorhood, and was a finalist for the PEN best essay book of the year award for Portrait of My Body. His anthology, Writing New York, received a citation from the New York Society Library and honorable mention from the Municipal Art Society's Brendan Gill Award.
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| Debra Marquart |
| Debra Marquart, creative nonfiction, is a professor of English at Iowa State University. Her work has appeared in numerous journals such as The North American Review, Three Penny Review, New Letters, River City, Crab Orchard Review, Cumberland Poetry Review, The Sun Magazine, Southern Poetry Review, Orion, Mid-American Review and Witness. In the seventies and eighties, Marquart was a touring road musician with rock and heavy metal bands. Her collection of short stories, The Hunger Bone: Rock & Roll Stories draws from her experiences as a female road musician. Marquart continues to perform with a jazz-poetry rhythm & blues project, The Bone People, with whom she has released two CDs: Orange Parade (acoustic rock); and A Regular Dervish (jazz-poetry).
Marquart’s work has received numerous awards and commendations, including the John Guyon Nonfiction Award (Crab Orchard Review), the Mid-American Review Nonfiction Award, The Headwater’s Prize from New Rivers Press, the Minnesota Voices Award, the Pearl Poetry Award (Pearl Editions), the Shelby Foote Prize for the Essay from the Faulkner Society, and a Pushcart Prize.
A performance poet, Marquart is the author of two poetry collections: Everything's a Verb and From Sweetness. Her memoir, The Horizontal World: Growing Up Wild in the Middle of Nowhere, was published by Counterpoint Books in 2006, and she’s currently at work on a novel, set in Greece, titled The Olive Harvest.
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| Eric Pankey |

Eric Pankey, poet, is the author of eight books: For the New Year, which won the Walt Whitman Award from the Academy of American Poets, Heartwood, Apocypha, The Late Romances, Cenotaph, which won the Poetry Award from the Library of Virginia, Oracle Figures, Reliquaries, and most recently, The Pear as One Example: New and Selected Poems 1984-2008. His work has been supported by fellowships from the Ingram Merrill Foundation, the National Endowment for the Arts, and the John Simon Guggenheim Memorial Foundation. A professor of English and the Heritage Chair in Writing at George Mason University, he lives with his wife, the poet Jennifer Atkinson, in Fairfax, Virginia.
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| Floyd Skloot |
| Floyd Skloot, creative nonfiction, was born in Brooklyn, NY, in 1947, and moved to Long Beach, NY, ten years later. He graduated from Franklin & Marshall College with a B.A. in English, and completed an M.A. in English at Southern Illinois University, where he studied with the Irish poet Thomas Kinsella and the late novelist John Gardner. From 1972 until becoming disabled in 1988, Floyd worked in the field of public policy in Illinois, Washington, and Oregon. He began publishing poetry in 1970, fiction in 1975, and essays in 1990. In May, 2006 he received an honorary Doctor of Humane Letters degree from Franklin and Marshall College. An Oregonian since 1984, Floyd moved from Portland to rural Amity when he married Beverly Hallberg in 1993. They lived in the middle of twenty hilly acres of woods for 13 years before moving back to Portland. Floyd's current projects include The Wink of the Zenith, a new memoir about the forces that shaped him as writer, which will appear from the University of Nebraska Press in fall, 2008, and a volume of poetry, The Snow's Music, which Louisiana State University Press will publish in fall, 2008.
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| Kevin Young |
Kevin Young, poetry, is the author of five poetry collections, and editor of four others. His most recent volume is For the Confederate Dead, which has been featured in The Boston Globe, The Los Angeles Times, Entertainment Weekly and on NPR. Young's first book, Most Way Home, was selected for the National Poetry Series by Lucille Clifton, and later won the Zacharis First Book Prize from Ploughshares. Young's second book, To Repel Ghosts, a "double album" based on the work of the late artist Jean-Michel Basquiat, was a finalist for the James Laughlin Prize from the Academy of American Poets and was reissued in a "remix" version in 2005. Young's third poetry collection, Jelly Roll, won the Paterson Poetry Prize, and was a finalist for both the National Book Award and the Los Angeles Times Book Prize. His previous collection, Black Maria, a film noir in verse, has been recently staged by the Providence Black Repertory Theater.
Young's poetry and essays have appeared in The New Yorker, The Paris Review, The Kenyon Review, Callaloo, and many other journals. He is editor of the anthology Giant Steps: The New Generation of African American Writers, The Library of America's John Berryman: Selected Poems, the Everyman's Library Pocket Poet anthology Blues Poems, and, most recently, a companion Jazz Poems. Kevin Young has an A.B. in English and American Literature from Harvard University and an MFA in Creative Writing from Brown University. A former Stegner Fellow in Poetry at Stanford University, he is a recent Guggenheim Foundation Fellow and NEA Literature Fellow in Poetry. He has also taught at the University of Georgia and Indiana University, where he was the Ruth Lilly Professor of Poetry. Currently he is Atticus Haygood Professor of Poetry and Creative Writing, and Curator of the Raymond Danowski Poetry Library.
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